La Femme returns to its first love of the new-wave from "Psycho Tropical Berlin" (Machine), blending it with an Anglo-Saxon rock sound from the 80s/90s. The album is a tribute to rock, its effectiveness, and timelessness. La Femme makes rock with machines. After "Psycho Tropical Berlin", "Mystères", and "Paradigmes", the group founded by Marlon Magnée and Sacha Got returns with "Rock Machine", their first entirely English-written album. Composed over the last few years during various tours around the world, this new LP was heavily inspired by a series of dates in the United States. "Rock Machine", armed with a new electro-arena-rock sound, is a globe-trotter album ready to captivate an even wider international audience. With "Rock Machine", La Femme continues to develop a retro and multidimensional universe with its own sound and aesthetics. The first single, "Ciao Paris", is a metaphorical farewell to France, with a nod to the 60s YéYé pop sprinkled with electro-surf. In "Clover Paradise", the band invites us to a dark and hypnotic dance floor. "Love Is Over" is an enchanting new-wave ballad reminiscent of the Madchester groups of the 90s that played at the Hacienda. "Venus" is an irresistible and intoxicating encounter between "The Velvet Underground" and "The Mamas and the Papas". Alongside rock and synthwave sounds, there is also electro ("Sweet Babe"), disco with a British punk twist ("My Generation"), and many other surprises.
Where does it take place?
Rockhal
5 Av. du Rock'n'Roll
4361 Esch-Belval Esch-sur-Alzette
Luxembourg
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