Directed by: Jean-Paul Maes
Set design: Jörg Brombacher
Music: Pit Dahm/Ken Rischard
Technical direction: Roland Jakobi
Assistant: Brigitte Bintz
With: Timo Wagner / Friederike Majerczyk / Tim Olrik Stöneberg / Neven Nöthig
Are we HAMLET? Do we wander just as uncertainly through our lives?
He couldn't overcome the unexpected death of his father. A ghost, he believes, suggested or confirmed to him that things were not right. The rapid turn of his mother towards the brother-in-law, the brother, and heir of the deceased, seems to him another confirmation.
Our Hamlet is trapped in his thoughts, doubts, and inhibitions, making him gradually perceive constant dangers everywhere. Hamlet, a daydreamer?
It is undeniable that Shakespeare achieved a masterpiece of complexity through Hamlet's hesitation, constantly believing he missed opportunities for revenge only to draw the wrong and thus devastating conclusions for everyone.
A young man abandoned, maybe even ultimately by himself.
That the ghost of the dead father appears to him in the form of his equally frightened mother, in whom he also sees the long-desired and ultimately rejected Orphelia, is part of our concept, allowing for great freedom of interpretation but also some guidance.
A chamber play between the emotions of human existence. The four actors carry out the conflict in an enclosed space while being aware of the impending external threat from Fortinbras of Norway. One does not know if he will come, or who will penetrate this web. – Or if everything will remain as it is.
Good to know
Chamber play
Directed by: Jean-Paul Maes.
Cast: Timo Wagner, Friederike Majerczyk, Tim Olrik Stöneberg, Neven Nöthig.
Theme: exploration of human existence.
Automatically translated from German.
Where does it take place?
Kaleidoskop Theater
8
Rue de l'École
L-3341 Huncherange
Luxembourg
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